Tony Matelli

January 10, 2024
Sculptor

Quick Facts

Tony Matelli
Full Name Tony Matelli
Occupation Sculptor
Date Of Birth Sep 5, 1971(1971-09-05)
Age 53
Birthplace Chicago
Country United States
Birth City Illinois
Horoscope Virgo

Tony Matelli Biography

Name Tony Matelli
Birthday Sep 5
Birth Year 1971
Place Of Birth Chicago
Home Town Illinois
Birth Country United States
Birth Sign Virgo

Tony Matelli is one of the most popular and richest Sculptor who was born on September 5, 1971 in Chicago, Illinois, United States.

1991 Alliance of Independent Colleges of Art-Independent Study, New York

1993 B.F.A., Milwaukee Institute of Art & Design, Wisconsin

Tony Matelli Net Worth

Net Worth $5 Million
Source Of Income Sculptor
House Living in own house.

Tony Matelli is one of the richest Sculptor from United States. According to our analysis, Wikipedia, Forbes & Business Insider, Tony Matelli 's net worth $5 Million. (Last Update: December 11, 2023)

Tony Matelli (born 1971 in Chicago, Illinois) is an American sculptor perhaps best known for his work Sleepwalker.

Height, Weight & Body Measurements

Tony Matelli height Not available right now. Triambak weight Not Known & body measurements will update soon.

Who is Tony Matelli Dating?

According to our records, Tony Matelli is possibily single & has not been previously engaged. As of December 1, 2023, Tony Matelli’s is not dating anyone.

Relationships Record : We have no records of past relationships for Tony Matelli. You may help us to build the dating records for Tony Matelli!

Abandon, Centre d’Arte Santa Monica, Barcelona, Spain

Facts & Trivia

Triambak Ranked on the list of most popular Sculptor. Also ranked in the elit list of famous people born in United States. Tony Matelli celebrates birthday on September 5 of every year.

Incorporating figurative, botanical, and abstract forms in his sculpture, Tony Matelli creates uncanny objects that are both unsettling and comical. His bronze sculptures feature ropes frozen in mid-air, as if the ropes were dropped on a plinth and cast just before collapsing into inert coils. Other works rely on unusual juxtapositions, such as his weeds series in which plants sprout from the space between gallery walls and floors. Across his oeuvre, and particularly in his mirror paintings, Matelli discards traditional genre categories in favor of experiential concerns. “I like sculpture because it’s unwieldy, and there is a resistance to decoration in sculpture that I like,” Matelli has said. “Genres are at the service of ideas, not the other way around.”

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