Jesse Richards

Quick Facts

Full Name	Jesse Richards
Occupation	Painter
Date Of Birth	Jul 17, 1975(1975-07-17)
Age	49
Birthplace	New Haven
Country	United States
Birth City	Connecticut
Horoscope	Cancer

Jesse Richards Biography

Jesse Richards is one of the most popular and richest Painter who was born on July 17, 1975 in New Haven, Connecticut, United States. Jesse Richards (born July 17 1975) is a filmmaker, painter as well as a photographer in New Haven, Connecticut and was part of the global movement Stuckism. Richards has been called “one of the most provocative names in American underground culture,” as well as “the father of remodernist cinema.”

in 2003 Richards collaborated on Shooting at the Moon in 2003, a short film that premiered in the New York International Independent Film and Video Festival. The film had it’s London premier on the premises of Horse Hospital during its FLIXATION Underground Cinema Club event. Richards stated that his previous films typically featured nakedness, but this time, he wanted to be different and the two main characters don’t even kiss:

In 2003, an anti-war “Clown Trial of President Bush” took place outside the New Haven Federal Courthouse, in order to “highlight the fact that the Iraq War does not have the support of the United Nations, thus violating a binding contract with the UN”. It was staged by local Stuckist artists dressed in clown costume, led by Richards with Nicholas Watson and Tony Juliano. One of the participants was a public defender for the state of Connecticut.

In 2004, Richards and fellow filmmaker Harris Smith co-founded Remodernist Film and Photography, a new Remodernist group attempting to introduce Remodernist/Stuckist values into film and photography.

Richards is a part of The Stuckist arts movement since 2001. He created a gallery to be one of the initial Stuckism Center within the United States in 2002, helping organize exhibitions. The center was inaugurated with an exhibition titled “We Just Wanna Show Some Fucking Paintings.”

Jesse Richards Net Worth

Jesse Richards is one of the richest Painter from United States. According to our analysis, Wikipedia, Forbes & Business Insider, Jesse Richards 's net worth $5 Million. (Last Update: December 11, 2023)

Richards has been working on films together with Nicholas Watson since 1996. Their noir film, Blackout, was premiered at the festival Stuck Films at the New Haven Stuckism International Center in 2002.

The year 1999 was the time Richards got arrested in 1999 for recklessly burning as well as destruction of property and unruly conduct. When the charges were dropped Richards started painting.

Also in 2003, Richards was an exhibitor in the UK show, Stuck in Wednesbury at Wednesbury Museum & Art Gallery, the first Stuckist show in a public gallery, and in The Stuckists Summer Show at the Stuckism International Gallery, London.

Height, Weight & Body Measurements

Jesse Richards height Not available right now. Jesse weight Not Known & body measurements will update soon.

Who is Jesse Richards Dating?

According to our records, Jesse Richards is possibily single & has not been previously engaged. As of December 1, 2023, Jesse Richards’s is not dating anyone.

Relationships Record : We have no records of past relationships for Jesse Richards. You may help us to build the dating records for Jesse Richards!

A book of pinhole photography called “Dark Chamber”, featuring new work by Richards as well as work by Wolf Howard, Billy Childish and others was published by Urban Fox Press in May 2007.

Facts & Trivia

Jesse Ranked on the list of most popular Painter. Also ranked in the elit list of famous people born in United States. Jesse Richards celebrates birthday on July 17 of every year.

In October 2009, with the intention “to further develop and explain Remodernist film concepts”, a series of articles by Richards, Peter Rinaldi and Roy Rezaali were published in the magazine MungBeing In Richards’ two essays in the magazine, he explains the development of cinema in terms of modernism, postmodernism and remodernism, and discusses remodernist film craft as involving filmmakers “teaching themselves to paint pictures, to try acting in their own movies and those of others (especially if they are shy), to be nude models for other artists, to meditate, worship if they are religious, to do things that affect their levels of consciousness, try things that make them nervous or uncomfortable, to go out and be involved in life, to find adventure, to jump in the ocean. I think that is the exploration of craft”. He also relaxes the criticisms made in the manifesto about digital video, claiming that can “have a place in Remodernist cinema”, but with a “new language” and not in the way it is used now, which he says is to “mimic film”.