Luiz Fernando Carvalho
- January 9, 2024
- Film Director
Quick Facts
Full Name | Luiz Fernando Carvalho |
Occupation | Film Director |
Date Of Birth | Jul 28, 1960(1960-07-28) |
Age | 64 |
Birthplace | Rio de Janeiro |
Country | Brazil |
Birth City | Rio de Janeiro |
Horoscope | Leo |
Luiz Fernando Carvalho Biography
Name | Luiz Fernando Carvalho |
Birthday | Jul 28 |
Birth Year | 1960 |
Place Of Birth | Rio de Janeiro |
Home Town | Rio de Janeiro |
Birth Country | Brazil |
Birth Sign | Leo |
Spouse | Letícia Persiles , Tereza Seiblitz , Sandra Burgos Monteiro |
Children(s) | Vittório Carvalho, Theo Burgos Carvalho |
Luiz Fernando Carvalho is one of the most popular and richest Film Director who was born on July 28, 1960 in Rio de Janeiro, Rio de Janeiro, Brazil.
Luiz Fernando Carvalho (born July 28, 1960 in Rio de Janeiro) is a Brazilian filmmaker and television director, known for works closely linked to literature that constitute a renovation in Brazilian audiovisual aesthetics. He has already brought to the screen works by Ariano Suassuna, Raduan Nassar, Machado de Assis, Eça de Queirós, Roland Barthes, Clarice Lispector, Milton Hatoum, José Lins do Rego and Graciliano Ramos, among others.
He wrote and directed the short The Waiting (A Espera), based on the book A Lover’s Discourse: Fragments (Fragments d’un discours amoureux) by Roland Barthes. Launched in 1986, the film collected the following awards: Best Short Film, Best Actress (Marieta Severo) and Best Cinematography (Walter Carvalho) at the 13th Festival de Gramado; Best Short Film (Golden Shell) at the San Sebastián International Film Festival (Spain); and the Special Jury Award at the Ste Therèse Festival (Canada).
Luiz Fernando Carvalho Net Worth
Net Worth | $5 Million |
Source Of Income | Film Director |
House | Living in own house. |
Luiz Fernando Carvalho is one of the richest Film Director from Brazil. According to our analysis, Wikipedia, Forbes & Business Insider, Luiz Fernando Carvalho 's net worth $5 Million. (Last Update: December 11, 2023)
A mini-series in eight episodes, created and directed by Luiz Fernando Carvalho based on women’s journals written by Clarice Lispector in the 1950s and 1960s, under the pseudonym Helen Palmer. The visual language and narrative were based on 60s pop art and design, from the costumes to the lighting and set; all filmed in a single light box, which changed color according to the subjects addressed. Adapted by Maria Camargo, the series was shown in 2013 as part of the program Fantástico, with costumes by Thanara Schönardie and Luciana Buarque, photography by Mikeas and edited by Marcio Hashimoto. The actress Maria Fernanda Cândido played Helen Palmer narrating all the episodes. In the cast, Luiza Brunet interpreted the mature woman, and Alessandra Maestrini, the young woman. The adolescent is Cintia Dicker, an international model whose acting career was launched in the mini-series. In the opinion of critic Patricia Kogut, the series is “inspired, pleasant, in good taste and unpretentious, like Clarice’s texts as Helen Palmer”.
Height, Weight & Body Measurements
Luiz Fernando Carvalho height Not available right now. Maksim weight Not Known & body measurements will update soon.
Who is Luiz Fernando Carvalho Dating?
According to our records, Luiz Fernando Carvalho married to Letícia Persiles , Tereza Seiblitz , Sandra Burgos Monteiro. As of December 1, 2023, Luiz Fernando Carvalho’s is not dating anyone.
Relationships Record : We have no records of past relationships for Luiz Fernando Carvalho. You may help us to build the dating records for Luiz Fernando Carvalho!
In 1994, the telefilm directed by Luiz Fernando Carvalho marked the first appearance of Ariano Suassuna’s works on television. Based on the writer’s unpublished novel of the same name, the script was the work of Ariano himself, in partnership with the director. Director of photography Dib Lufti, costumes by Luciana Buarque and art production by Lia Renha. Scenography by the artist Fernando Velloso, from the Grupo Corpo dance group, music by Antônio Madureira, a member of the Armorial Quintet (Quinteto Armorial). With A Woman dressed in Sun (Uma Mulher Vestida de Sol), the director commenced his exploration of the limits of television language, combining elements of the popular theater of the Northeast. Luiz Carlos Vasconcelos’s Grupo Piolim participated and the cast included Tereza Seiblitz, Lineu Dias, Sebastião Vasconcelos, Ana Lúcia Torre, Raul Cortez and the then novice actor Floriano Peixoto. According to the researcher of Literature Hélio Guimarães, the work gave rise to an impasse at the TV station: was Luíz Fernando Carvalho too big for the Globo screen?
Facts & Trivia
Maksim Ranked on the list of most popular Film Director. Also ranked in the elit list of famous people born in Brazil. Luiz Fernando Carvalho celebrates birthday on July 28 of every year.
The King of the Cattle (O Rei do Gado), 1996, the director’s next collaboration with the author Benedito Ruy Barbosa, became the novela with the 9th largest audience in Brazilian television history. It was rescreened three times, outrating other productions of the time, and was sold to over 30 countries. It marked the debut of Marcello Antony, Caco Ciocler, Mariana Lima, Emilio Orciollo Netto and Lavínia Vlasak. Other significant aspects of the novela were its social criticism and sensitive approach to the Landless Workers Movement (movimento dos sem-terra). The actors Jackson Antunes and Ana Beatriz Nogueira stand out in this context. The cast included Antonio Fagundes, Patricia Pillar, Leticia Spiller and Raul Cortez with guest appearances in the early stages by Tarcisio Meira, Eva Wilma and Vera Fischer. The character Tião Galinha, interpreted by Osmar Prado, is a landmark of his career. The novela received the Certificate of Merit at the San Francisco International Film Festival and the APCA Award for Best Actor (Raul Cortez), Best Supporting Actor (Leonardo Brício), Best Supporting Actress (Walderez de Barros) and Best Male Breakthrough Performance (Caco Ciocler). Fernando de Barros e Silva wrote, in the Folha de S.Paulo, “The King of the Cattle (O Rei do Gado) swallows up Brazilian cinema”. According to critic Rogerio Durst, the novela is “a dramatic epic with first class special appearances and superb photography”.