Jean-Claude Mocik

Quick Facts

Full Name	Jean-Claude Mocik
Occupation	Film Director
Date Of Birth	Feb 9, 1958(1958-02-09)
Age	66
Birthplace	Livry-Gargan
Country	France
Birth City	Livry-Gargan
Horoscope	Pisces

Jean-Claude Mocik Biography

Jean-Claude Mocik is one of the most popular and richest Film Director who was born on February 9, 1958 in Livry-Gargan, Livry-Gargan, France. Jean-Claude Mocik, was born on February 9, 1958 in Livry Gargan. He is a film-maker, video director, a director and teacher.

Jean-Claude Mocik Net Worth

Jean-Claude Mocik is one of the richest Film Director from France. According to our analysis, Wikipedia, Forbes & Business Insider, Jean-Claude Mocik 's net worth $5 Million. (Last Update: December 11, 2023)

After studies of cinema and broadcasting in Paris VIII University, Jean-Claude Mocik worked with Pierre Jolivet : Strictement personnel (1985), Le complexe du kangourou (1986) and Jean-Pierre Mocky : Le Pactole (1985), La machine à découdre (1986). Then he became assistant-director of Jean-Paul Jaud : SOS Charlot (1983), La Marseillaise (1989). He realized fictions : Piste (1980), Moco Fictions(2007), documentaries : Théatre, Ecole Créativité (1982) and Looking For Beethoven ( 2012 ), experimental films : Paris Figure Simple ( 1986 ) and Nyc Nac Solo (1989) and videos : Correspondance avec Jean-Luc Godard (1985) and Laos Noblabla (2011). At the same time, he developed visual prototypes such as Switcher Video Band. From 1985, he is particularly drawn to new technologies. He joined the Ars Technica Association connected to the Cité des Sciences et de l’Industrie uniting philosophers, artists, scientists such as Piotr Kowalski, Jean-Marc Levy-Leblond, Claude Faure, Jean-Max Albert, Sara Holt, Piero Gilardi, reflecting on the relationship between art and new technologies. In 1989, Dominique Noguez recommended him for the 1st Biennial of Contemporary Art of Barcelona. He showed a video installation in 12 TV monitors arranged in pyramid. In the 90s, he was considered one of the precursors of HDTV beside Jean-Christophe Averty, David Niles, Zbigniew Rybczynski, Jacques Barsac, Pierre Trividic, Hervé Nisic. He produced and realized experimental programs such as Dix-neuvième for Canal+. In 1991, uniting his activities of R&D in audiovisual media conception, he created jcMCK, his own production company. In 1992, the Centre national d’art et de culture Georges-Pompidou showed his experimental movies and videos at the Cinéma du Musée curated by Jean-Michel Bouhours. Beside Catherine Desrosiers, Catherine Beuve-Mery and Maurice Séveno, Jean-Claude Mocik participated in the CICV of Belfort Montbéliard, with the conception of an interactive TV program. In December, 1993, at the request of the 35mm laboratory Les 3 Lumières,he inaugurated Switcher Vidéo Band, an experimental multicameras captation in Le Palace, Paris. In 1994, he left one of the main cooperatives of experimental films in Paris, Light Cône, and made the decision to broadcast his experimental movies and video tapes exclusively thru his personal workshop. Recommended by Olivier Bontemps and Christophe Valdejo, two art directors of Gédéon and founders of the agency View, the Italian photographer Oliviero Toscani offered him, in 1995, the management of the department Cinéma-Vidéo of Fabrica, the Research center on the Communication of Benetton, based near Venice. In November, 1996, Fabrice Michel and Alain Josseau invited him to Toulouse to conceive and present a video installation entitled Video Solo in reference to his movie Nyc Nac Solo, shot in 1989 in New-York. L’Atelier de Recherche d’Arte regularly broadcasts his films and vidéos. As a TV director, Jean-Claude Mocik collaborated on numerous programs broadcast on diverse TV channels: Paristroïka, produced and broadcast by MCM Euromusique, Tout Paris for Paris-Première, L’Atelier 246 for FR3, Court Circuit, produced by MK2 broadcast by Arte. He created concepts of documentary series of which Le Travail en questions, a collection of 10 × 52 min animated by Ariel Wizman and Francis von Litsenborgh, were broadcast on La Cinquième. Since 2006, he is in charge of an educational department of Conception, Writing and Directing within the Pole of Education and Research of INA. In 2007, he wrote the screenplay and directed Moco Fictions a visual film essay completely shot with a robot. In 2013, he filmed in Vienna, Austria, Looking For Beethoven, a documentary film on Belcea Quartet for TV Mezzo and for a German music channel Unitel Classica. In February, 2014, at the request of Paul Ouazan, he contributed to a project entitled Le marcheur, broadcast on Arte Creative.

His work as a rhythmicien artist implies progressing over very long periods, like daily shots for over 24 years, (Séries circadienne) or using 2 video cameras, shooting every two weeks at noon sharp, in the imposed itinerary at the gates of Paris, (Midi pile). These projects, initiated in January 1994, continue today. Once a month in his workshop, projections that are held. His experimentations delve into his personal archives of films and videos, stored over time, in order to compose visual and sound arrangements specific to each session. The result is a kind of palimpsest in permanent mutation. The projection itself becomes form.

Height, Weight & Body Measurements

Jean-Claude Mocik height Not available right now. Jean-Claude weight Not Known & body measurements will update soon.

Who is Jean-Claude Mocik Dating?

According to our records, Jean-Claude Mocik is possibily single & has not been previously engaged. As of December 1, 2023, Jean-Claude Mocik’s is not dating anyone.

Relationships Record : We have no records of past relationships for Jean-Claude Mocik. You may help us to build the dating records for Jean-Claude Mocik!

Facts & Trivia

Jean-Claude Ranked on the list of most popular Film Director. Also ranked in the elit list of famous people born in France. Jean-Claude Mocik celebrates birthday on February 9 of every year.