Chantal Akerman

January 10, 2024
Film Director

Quick Facts

Chantal Akerman
Full Name Chantal Akerman
Occupation Film Director
Date Of Birth Jun 6, 1950(1950-06-06)
Age 74
Date Of Death October 5, 2015, Paris, France
Birthplace Brussels Agglomeration
Country Belgium
Horoscope Gemini

Chantal Akerman Biography

Name Chantal Akerman
Birthday Jun 6
Birth Year 1950
Place Of Birth Brussels Agglomeration
Birth Country Belgium
Birth Sign Gemini
Parents Natalia Akerman, Jacob Akerman
Siblings Sylviane Akerman
Spouse Sonia Wieder-Atherton

Chantal Akerman is one of the most popular and richest Film Director who was born on June 6, 1950 in Brussels Agglomeration, Belgium.

Akerman claimed that, at the age of 15, after viewing Jean-Luc Godard’s Pierrot le fou (1965), she decided, that same night, to become a filmmaker. In 1971, Akerman’s first short film, Saute ma ville, premiered at the International Short Film Festival Oberhausen. That year, she moved to New York City, where she remained until 1972.

Her first feature film, Hotel Monterey (1972), and subsequent short films La Chambre 1 and La Chambre 2 reveal the influence of structural filmmaking through these films’ usage of long takes. These protracted shots serve to oscillate images between abstraction and figuration. Akerman’s films from this period also signify the start of her collaboration with cinematographer Babette Mangolte.

Chantal Akerman Net Worth

Net Worth $5 Million
Source Of Income Film Director
House Living in own house.

Chantal Akerman is one of the richest Film Director from Belgium. According to our analysis, Wikipedia, Forbes & Business Insider, Chantal Akerman 's net worth $5 Million. (Last Update: December 11, 2023)

Chantal Anne Akerman (French: [ʃɑ̃tal akɛʁman] ; 6 June 1950 – 5 October 2015) was a Belgian film director, screenwriter, artist, and film professor at the City College of New York. She is best known for Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975), which was dubbed a “masterpiece” by The New York Times. According to film scholar Gwendolyn Audrey Foster, Akerman’s influence on feminist filmmaking and avant-garde cinema has been substantial.

Height, Weight & Body Measurements

Chantal Akerman height Not available right now. Cheng weight Not Known & body measurements will update soon.

Who is Chantal Akerman Dating?

According to our records, Chantal Akerman married to Sonia Wieder- Atherton. As of December 1, 2023, Chantal Akerman’s is not dating anyone.

Relationships Record : We have no records of past relationships for Chantal Akerman. You may help us to build the dating records for Chantal Akerman!

Important solo exhibitions of Akerman’s work have been held at the Museum for Contemporary Art, Antwerp, Belgium (2012), MIT, Cambridge Massachusetts (2008), the Tel Aviv Museum of Art, Israel (2006); Princeton University Art Museum, Princeton, NJ (2006); and the Centre Georges Pompidou, Paris (2003). Akerman has participated in Documenta XI (2002) and the Venice Biennale (2001).

Facts & Trivia

Cheng Ranked on the list of most popular Film Director. Also ranked in the elit list of famous people born in Belgium. Chantal Akerman celebrates birthday on June 6 of every year.

The 2015 Venice Biennale included an installation of interspersed parallel screens displaying the landscape-in-motion footage that would appear in “No Home Movie”.

How old was Chantal Akerman when she made Jeanne Dielman?

It only burnishes the legend that Ms. Akerman was all of 25 when she made the film. “It’s not very modest of me, but I’m still so proud I did it at that age,” she said in a telephone interview from her home in Paris. “A lot of it came unconsciously,” added Ms.

Is Chantal Akerman French New Wave?

A fifteen-year-old girl from Brussels, Chantal Akerman, saw Jean-Luc Godard’s “Pierrot le fou” (1965) in first run and came out resolved to become a filmmaker.

Is Hotel Monterey silent?

Hotel Monterey
Running time| 62 minutes
Countries| Belgium USA
Language| Silent

What happens at the end of Jeanne Dielman?

After having an orgasm with a client, Jeanne gets dressed, tucks her shirt into her skirt, picks up a pair of scissors, and stabs the man. With this downplayed “climax,” Akerman equates the banal and the dramatic, the literal and the fictional—dressing and killing.

Is Jeanne Dielman experimental?

Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment , one that has been analyzed and argued over for decades.

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